
Short impressions from a place — a square, a workshop, a morning at the market.
How to read this

The square that stays with you is the one the crowds have already left
A square, a bazaar, a road — you remember them not as a list, but by the hour you happened to be there.
Not a rundown of the sights. Amir Timur Square, the wall of the Ark, Chorsu at eight in the morning — and everything that manages to happen while you stand there.
How late the facades stay lit, where to put the tripod, whether the camp takes cash, whether the museums are shut after six. The things a short photo caption never tells you.
A note stays about the place. How to fill the day and what to combine it with — that is in the routes.
What's here
Three ways a place ends up in a note. Not “what to see in the city”, but the hour when the city is still yours.
Registan, when the square goes quiet, and the same Registan at night, while the facades are still lit. Chorsu at eight, before the best of it is gone. Itchan Kala after the buses: a museum by day, a town again by evening. Amir Timur Square — who stood on the pedestal and why the fountains don't run all day.
A workshop by Toqi Zargaron, where you don't browse the display case but wait for the craftsman's hands to come free. Plov in a Bukhara home: the carrots are cut in front of you, and the vegetarian version comes with quince. The Khovrenko cellars in Samarkand: five wines, a non-alcoholic juice and a bottle you can take home in your luggage.
Chimgan: setting off in the dark, on the ridge by seven, back down before the cable car. Charvak an hour from Tashkent: the dam, a picnic at Yusufkhona, half an hour in a boat, fires only where they are allowed. The camp at Ayaz-Kala: a warm shower, the toilet across the yard, cash only, and the moment they put out the last lamp.
Cities
Tashkent, Bukhara, Samarkand, Khiva, Chimgan and Charvak.
A square where, in a hundred years, Kaufman, Lenin and Amir Timur have each taken their turn. And the Chorsu bazaar, worth reaching at opening time rather than at lunch.
The Ark from the wall: the throne hall, the coronation, the coin collection. Nearby a workshop, and a home where plov is not cooked for show.
The Registan in the evening, when entry still costs money but shooting from the street is free. At night the tripod can stay up until half past nine. By day, the cellars, if you want a table rather than a square.
Mountains and a reservoir on the same road out of Tashkent, but they are two different days. You head for the ridge before first light. You go out on the water once it is warm and it is clear where a fire is allowed.
Itchan Kala: a day ticket, streets clear after six, museums shut, and the climb onto the wall starts at the West Gate. Beyond that, the desert and a camp where the light ends when the generator does.
Notes
Short pieces from squares, workshops and the road.

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